E program Japanese Masterpiece Selection 2: The Beauty of Nature
Featuring, among other things, the delicate beauty emanating from snow crystals and the pulsation of life transmitted by cell division, this is a program that entrances us with the beautiful shapes to which nature gives birth.
 Snow Crystals (prewar version)
Snow Crystals (prewar version)
(“Yuki no kessho”)- JAPAN / 1939 / English / B&W / Video (Original: 16mm) / 13 min
 
 Director, Photography: Yoshino Keiji
 Technical Advisor: Nakaya Ukichiro
 Assistant Photographer: Oguchi Teizo
 Production Company: Toho Film Co., Ltd.
 Source: Nonaka Kazutaka
 With the assistance of Nippon Eiga Shinsha
 
 Highly appraised in overseas academic conferences, this is a film of Hokkaido University “Professor of Snow” Nakaya Ukichiro’s (1900–1962) research in a cryogenic laboratory. Cinematographer Yoshino Keiji (1906–1972), who came from narrative film, photographed the figures of the glasswork-like snow crystals. In later years he was a successful producer for Iwanami Productions.
Highly appraised in overseas academic conferences, this is a film of Hokkaido University “Professor of Snow” Nakaya Ukichiro’s (1900–1962) research in a cryogenic laboratory. Cinematographer Yoshino Keiji (1906–1972), who came from narrative film, photographed the figures of the glasswork-like snow crystals. In later years he was a successful producer for Iwanami Productions.
 The Birth of Frogs
The Birth of Frogs
(“Kaeru no hassei”)- JAPAN / 1955 / Japanese / B&W / 16mm / 11 min
 
 Director, Photography: Yoshida Rokuro
 Script: Yoshida Rokuro, Oguchi Hachiro
 Producer: Yoshino Keiji
 Production Company: Iwanami Productions
 Planning, Source: Kyohai Educational Media, Inc.
 
Observe what it looks like on film when a frog is brought into being, starting as an egg and passing through the tadpole stage. The sight of egg cells splitting one after the next is movingly beautiful. Yoshida Rokuro (1919–1995), who worked as Yoshino Keiji’s assistant, produced many of the wonderful Iwanami and Toei films that capture the microscopic world.
 Marine Snow: The Origin of Oil
Marine Snow: The Origin of Oil
(“Marin Snow: Sekiyu no kigen”)- JAPAN / 1960 / Japanese / Color / Video (Original: 35mm) / 25 min
 
 Directors: Noda Shinkichi, Onuma Tetsuro
 Script: Yoshimi Yutaka
 Director of Photography: Kobayashi Yonesaku
 Photography: Kasuga Tomoyoshi, Toyooka Sadao
 Music: Mamiya Michio
 Commentary: Takashima Yo
 Producer: Okada Sozo
 Planning: Maruzen Oil (now Cosmo Oil Company, Ltd.)
 Production Company: Tokyo Cinema Co., Inc.
 Source: TokyoCinema Inc.
 
This work, featuring color film of the beautiful sight of sea plankton, has been praised all over the world. Tokyo Cinema, established by Okada Sozo (1903–1983), brought together microscopy expert Kobayashi Yonesaku (1905–2005) and other excellent staff and led the world of science cinema through the 1950s and 60s.
 The Bone II
The Bone II
- JAPAN / 1986 / Japanese / Color / Video (Original: 16mm) / 22 min
 
 Director: Kaneko Fumio
 Script: Funakoshi Mieko
 Photography: Sakamoto Yuzuru, Kaneko Fumio
 Music: Ichiyanagi Toshi
 Narrator: Kobayashi Kyoji
 Scientific Advisor: Kumegawa Masayoshi
 Producer: Kobayashi Yonesaku
 Planning: Teijin; Fujisawa Pharmaceutical Co., Ltd.
 Production Company: Yone Production Co., Ltd.
 Source: Science Film Museum (NPO)
 
Not only do they serve to support the body, bones also serve as a repository of calcium. Explore how bones receive the hormonal information that the body gives off, and how the workings of the bones maintain the balance of the internal system. A triumphant medical movie by Yone Productions Co., a spinoff of Tokyo Cinema.
 A Grain of Barley
A Grain of Barley
(“Hitotsubu no mugi”)- JAPAN / 1962 / Japanese / Color / 35mm / 28 min
 
 Director, Script: Matsukawa Yasuo
 Photography: Sato Masamichi
 Time-Lapse Photography: Suzuki Kiyoji
 Illustrations: Kajikawa Katsuyoshi
 Music: Mamiya Michio
 Narrator: Yagi Jiro
 Supervisor: Kano Ryuichi
 Planning: Asahi Breweries, Ltd.
 Production Company: Nippon Sangyo Eiga Center, Ltd.
 Source: Crix, National Film Center
 
Treating business endeavors to breed barley for beer, exactly the kind of theme we would expect from the Golden Age of PR movies, this singular work ventures into that phenomenon of life known as genetics. This was a debut work of substance for Matsukawa Yasuo (1931–2006), a rare auteur who continued to make visual poetry until his passing last year.



