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New Asian Currents
Total: 705 Films out of 63 Countries and Areas
- All Restrictions End [Reza Haeri / IRAN / 2009]
- Amin [Shahin Parhami / IRAN, KOREA, CANADA / 2010]
- Bassidji [Mehran Tamadon / FRANCE, IRAN, SWITZERLAND / 2009]
- A Brief History of Memory [Chulayarnnon Siriphol / THAILAND / 2010]
- Children of Soleil [Okutani Yoichiro / JAPAN / 2011]
- Gift [Okuma Katsuya / JAPAN / 2011]
- Hard Rails across a Gentle River [Tran Thanh Hien, Pham Thu Hang, Do Van Hoang, Tran Thi Anh Phuong / VIETNAM / 2010]
- Iranian Cookbook [Mohammad Shirvani / IRAN / 2010]
- My Own City [Sameera Jain / INDIA / 2011]
- On the Way to the Sea [Gu Tao / CANADA, CHINA / 2010]
- Prison and Paradise [Daniel Rudi Haryanto / INDONESIA / 2010]
- The Red Rain on the Equator [Nova Goh / MALAYSIA, TAIWAN / 2010]
- Self-Portrait with Three Women [Zhang Mengqi / CHINA / 2010]
- The Shepherd’s Story / Shinjuku 2009 + Ogaki 2010 [Maeda Shinjiro, Suzuki Hikaru / JAPAN / 2011]
- Thatched Cottages on the Enclave [Meng Xiaowei / CHINA / 2010]
- A Trip to the Barbershop [Selim Mourad / DENMARK, LEBANON / 2010]
- Unreal Forest [Jakrawal Nilthamrong / THAILAND, THE NETHERLANDS / 2010]
- Water Hands [Vladimir Todorovic / SINGAPORE, SERBIA, MONTENEGRO / 2010]
- we began by measuring distance [Basma Alsharif / PALESTINE, EGYPT / 2009]
- We’ve never seen a night which has finished by reaching a day [Lee Ju-hyoung / FRANCE, KOREA / 2010]
- The Woman, the Orphan, and the Tiger [Jane Jin Kaisen, Guston Sondin-Kung / KOREA, DENMARK, USA , CHINA / 2010]
- World without Shadow [Khoo Eng Yow / MALAYSIA / 2011]
- Yongsan [Mun Jeong-hyun / KOREA / 2010]
- Yuguo and His Mother [Gu Tao / CHINA / 2011]
(Alphabetically shown)
New Asian Currents Special Invitation Film
A diverse Asian diaspora searching for horizon, navigates through turbulent waters like a sailor. These 24 works are filled with the love and vision of their makers, who take a flexible approach to their layered identities. This program discovers and supports Asian filmmakers whose works exude a luminous glow despite their rough edges, as they continue to bravely engage with new forms of expression.
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